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Showing posts with label Torture. Show all posts
Showing posts with label Torture. Show all posts

Friday, 6 April 2018

Movie Review - The Lesson

The Lesson

2015



The Cast




I was really looking forward to this tale of revenge and learning as the premise sounded entertaining.  A teacher, Mr Gale (Hands), who is ridiculed daily by his students, decides to take matters into his own hands and to elevate their learning curves by some extreme teaching methods.

You do get what you expect; there are some nasty scenes of violence and abuse.  The scene where Mr Gale nails the hand of his student, Fin (Bendall), to the desk looks realistic.  It's the realism which could have made this movie something special.

I've known families like Fin's and his brother's, Jake (Cox), where the brothers don't get on... to the point of arguing, fighting, and forsaking.  I've also known the senseless bullies of Fin and Joel's (Coltart) order.  Though I do hope that the scene in the schoolroom isn't that realistic - if it is, I pity the teachers and can understand the twenty-six-grand to study to teach the government are offering.

The trouble starts when you get to the tortuous indoctrination.  Through all of the bleakness, we are then subjected to a gayfull and lunatic lesson.  This departs from reality and enters the demented.  Which, in itself wouldn't be a bad thing had Mr Gale been suffering from a mental break.  However, this doesn't appear to be the case.  Then when you throw in Fin's delusion it was enough to wrench me away from the film, thinking, what the hell(?).  From here the story and character of Mr Gale become preposterous and unbelievable.  I felt that both the writer and the director, Ruth Platt, were trying too hard to get their point across, making the story appear pompous and pretentious.

It's from here on in that the film falls apart.

The really ludicrous thing is the scene where Jake's Girlfriend, Tanja (Gavanski), is accosted and forced to join in the lesson.  She's worried that Fin's not come home, though his brother doesn't give a damn, so she sets out to find him.  She wanders the town aimlessly and just by coincidence comes across Mr Gale.  This is absurd because the abduction takes place outside.  How did Mr Gale know she was there, let alone that she had an interest in one of his captives.

Then there's the timeline which is totally cockeyed by the end of the film.  So what started out as an okay film drops into a quagmire of below average revenge torture fodder.

If you like your revenge stories and can empathise with teachers then this may be worth a watch, though it could have been much better and even could have made a statement.  Though I would say you'd be better off with the Hostel or Saw franchises.

I give this Over-Inflated Study Session A Haughty 5 out of 10

The Trailer


Wednesday, 14 February 2018

Movie Review - The Collection

The Collection

2012


The Cast




Though this is the sequel to "The Collector" and ties in well with the ending of the first film, it actually has very little to do with the original.  For starters, you have to forget the premise of the first as well as The Collectors modus operandi.  Like the original, these films work well if you don't think... at all.  Once you do you'll start spotting the massive gaping flaws in the story.  So in this chapter, The Collector has upped his game and has gone after a club full of young adults.  From which one survives.  Luckily for her, she has a loving and rich father who will do anything to get her back... so he sends in his own band of mercenaries to get her out... okay, everybody, let's march into the blood-spattered decrepit hotel and chant at the top of your voices, "Let's Go Die, Let's Go Die".  And so the carnage continues.

The thing which made the previous film so good is the same thing that makes this... the tension and suspense.  Dunstan is a maestro at manipulating the pace and atmosphere to get you on the edge of your seat.  Every time a trap is sprung you wonder how nasty it'll be... answer... very nasty.  That's the second thing keeping the audiences attention, the kills and the action.  There is a tonne of gore, enough to keep Hershall Lewis smiling in heaven, and plenty enough for the gorehounds.

Stewart is much better as Arkin in this film.  It would appear that being the collector's plaything has added an extra depth or two to him.  His motivation to escape is evident in every scene he's in.  Lee Tergesen does a passable job as the hired killer Lucello.  However, the rest of his merry men are ten-a-penny redshirts... proper cannon fodder.  So, it would appear that the writers decided not to fill out their characters too much.  Then there was Fitzpatrick as Elena, who was okay while she didn't say anything.  However, when she did speak she spoke with wooden tongue.

The special effects were awesome, the re-breaking of Arkin's arm and the escape attempt is quite nearly sickening.  The sewn together body parts is eerie and disturbing.  And the traps are gruesome and deadly.  Hopefully, all of this should be enough to satisfy, who needs a story, right(?)

The story really could have made this into a better and stronger film.  In the original, all you had to do was forget that it takes time to jerry-rig a house with all the traps, the collector used - forgivable, for entertainment's sake.

The character of the collector breaks into a house and leaves a present for the homeowners.  A trunk, inside of which is a tortured person from his previous escapade.  This "Present" is for shock value to throw the prey into confusion and fear.  Then he sets about torturing and killing everyone, but one, in the house... nobody lives.

This is even mentioned on a TV News Broadcast in the sequel.  There's been a spree of home invasions with this MO.  Even though it's the police being interviewed in the broadcast there appears to be no manhunt for The Collector.  No Task Force.  No FBI.  Then there's a party at a secret location... not too secret as TC's had time to set up a really nasty combine harvester trap, which is rigged to the trunk, hidden away in one of the rooms of the derelict house.  Boy, he was really hoping that somebody would be curious enough to go looking through a condemned building, so they'd set the trap off.

Then when we get to his hotel it just gets worse.  Not only does this killer torture and murder homeowners but he must also be picking up people off the street judging by the number of dismembered cadavers laying around...  Not only that, but he now has "The Collection" roaming around the place too.  People too scared to try and escape.  Most of which are high on drugs.  TC must be cooking the stuff or he really is one sick rich dude.  However, the strange thing is the traps in this place... a place that's his so he has all the time in the world to construct the best traps ever,  but are really weak-assed.  One of them is a hallway of plywood with nails knocked through them.  They don't even move together.  Another is a hallway full of bear traps.  Which you can easily get through by just walking to the side of them.  Damn this place really needed Kevin McCallister's touch.

Then there's the stitched together body parts.  Looks, like TC's been watching The Human Centipede, what a sicko...  This absolutely breaks with his persona.  There is no way that he would do this.  And then to arrange them in some kind of fluid inside glass canisters... believability is out the window.

Had the writers chosen, not to go down this path but to remain on the original and begin to explain TC's psychosis and background a little then it would have only helped to define the character better.  The strongest films give their audience an inkling into the psychopath and his thinking.  You know what's eating Norman, what's driving Michael, why Freddy is so evil, and even Jason gets a backstory and motivation.  These add to the power of their characters and hopefully the films.

If you're a gorehound then this film is definitely for you.  If you don't like blood then I'd recommend you stay away.

I give this a blood-soaked and gore-stained 6 out of 10.

The Trailer



Wednesday, 12 July 2017

Movie Review - 31

31

2016



Bow And Arrow Entertainment / PalmStar Media / Protagonist Pictures / Spectacle Entertainment Group / Spookshow International / Windy Hill Pictures

Fathom Events / Saban Films / Vertigo Releasing / Lionsgate Home Entertainment


5 / 10


31 Poster

If it hadn't been for The House Of A 1000 Corpses, The Devil's Rejects, and The Haunted World Of El Superbeasto then I would not have watched this movie, especially after what Rob Zombie did to the Halloween movies.  Unfortunately, this is not as good as his earlier works.

This is just another load of people who are captured, tortured, and killed for pleasure.  What Zombie adds to the story is a triumvirate of puppet masters - Father Murder (Malcolm McDowell), Sister Serpent (Jane Carr), and Sister Dragon (Judy Geeson) - who run The Murderworld where they run a torturous gauntlet of games.  The triumvirate gives their prisoners twelve hours to survive the trials they have arranged for them.  Each trial is to survive the psychopaths they send in dressed as clowns.

However, most of this doesn't work.  My heart started to sink when the group of carnies are talking about the rides and attractions that they run, though their RV isn't towing anything and there's no lorry travelling with them.  Then you learn they're travelling with a fair, yet again there are no other vehicles.  It's these little things which annoy, and there are quite a few throughout the film.  For such an unoriginal story ironing out ALL the kinks would have made it stronger.

As for the direction, it's pretty standard stuff though Zombie does try to add a little art to the affair by working in vivid colours.  This isn't fully utilised due to the average camera work.  There's also an alarming lack of suspense and tension, which a film of this type really requires.  That said there are a couple of nice scenes with Richard Brake, who plays Doom-Head, where the close ups are so sharp and crisp.  This brilliantly captures his Brake's magnificent rendition of his psychopath character.  To be honest, it's Brake that steals this film.  This actor should be used more often, he has some serious skills. 

As for the rest of the cast, they are okay, none of them particularly stands out.  I would've liked more details in both the story and characterisations of the triumvirate as this was a missed opportunity to add a spooky and eerie element.  Also the other clowns - heads - aren't anywhere nearly as disturbing or sinister as Brake's Doom-Head.  The brothers Schizo and Psych-Head, played by David Ury and Lew Temple, are your routine slashers, complete with chainsaws.  Though it's Sick-Head which lets the film down.  This is not due to Pancho Moler playing the part, on the contrary, his acting is pretty solid. It's down to Zombie dressing him as a Hitleresque character - complete with swastikas and moustache.  I'm sorry but I think if anybody was confronted by him they would probably die laughing.

Then there's the name of the movie... 31.  This actually references Halloween and is another missed chance to tie the games into Samhain or another "Dark" holiday, which would have made the story stronger.

This is an average film which has a few small drawbacks and a couple of benefits that levels the film to average, once again.  If you're a Rob Zombie fan then you may like this.  If it's cold and wet outside you could turn off the lights and settle back with this slasher flick, it's worth at least one viewing.




Monday, 27 March 2017

Video Nasty - Don't Ride On Late Night Trains

Don't Ride On Late Night Trains

AKA Night Train Murders.

(1975)

European Incorporation : Hallmark Releasing / Blue Underground / Shameless Entertainment

6.5 / 10

Don't Ride on Late Night Trains Poster

This is Italy's version of Wes Craven's The Last House On The Left, though I have to say I prefer this film.  For the main reason is there's no annoying music on this film.  Also, it's more throughout and deeper in psychological content.  The principles are the same, here you have two girls on their way out to the country for the Christmas holidays.  While on the train they meet the two thugs, who have previously mugged a street Santa.  Their attack is unbeknown to the girls so they are friendly with the two men.  Though as the train travels further they become more wary of the pair and the blonde woman the men have met.  When the train is stopped for a bomb search the girls hop off the train to board another.  It's not until they're on the move that the girls realise the trio had hopped trains too.  From here on in things get nasty, violent, and cruel.

It's these scenes that are the hardest to watch as they lead to the girl's deaths.  However, this isn't where the movie stops  It's the second half which treads on the unbelievable.  The evil trio is picked up by the girl's parents.  Who, when they realise what's happened, take their revenge.  It's the coincidence of the group meeting that stretches the boundaries of reality.

That said, that incident is the only issue I have with the film.

It's Macha Meril as the lady on the train that gives this film a nasty and depraved edge.  In the beginning, she appears to be a reserved nymphomaniac.  Though when they start to torture and rape the girls she's the one who's controlling the thugs, even though she's only known them for a matter of hours.  She is definitely twisted and coldly calculating.  She stole the show.

Even though you know what's going to happen and you probably know how the film will end, the director Aldo Lado does a fantastic job of weaving a subtle and disturbing story into a watchable film with believable characters.  It's nice that he doesn't go the exploitation route, especially in the torture sequences.  The reality of the scenes really strengthens the film.

I cannot say I really enjoyed this film as some of the scenes are disturbing, both visually and psychologically.  It is, however, truly watchable and does emote emotions.  It is a film that I may watch again... though not for some time.