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Monday 27 March 2017

Video Nasty - Don't Ride On Late Night Trains

Don't Ride On Late Night Trains

AKA Night Train Murders.

(1975)

European Incorporation : Hallmark Releasing / Blue Underground / Shameless Entertainment

6.5 / 10

Don't Ride on Late Night Trains Poster

This is Italy's version of Wes Craven's The Last House On The Left, though I have to say I prefer this film.  For the main reason is there's no annoying music on this film.  Also, it's more throughout and deeper in psychological content.  The principles are the same, here you have two girls on their way out to the country for the Christmas holidays.  While on the train they meet the two thugs, who have previously mugged a street Santa.  Their attack is unbeknown to the girls so they are friendly with the two men.  Though as the train travels further they become more wary of the pair and the blonde woman the men have met.  When the train is stopped for a bomb search the girls hop off the train to board another.  It's not until they're on the move that the girls realise the trio had hopped trains too.  From here on in things get nasty, violent, and cruel.

It's these scenes that are the hardest to watch as they lead to the girl's deaths.  However, this isn't where the movie stops  It's the second half which treads on the unbelievable.  The evil trio is picked up by the girl's parents.  Who, when they realise what's happened, take their revenge.  It's the coincidence of the group meeting that stretches the boundaries of reality.

That said, that incident is the only issue I have with the film.

It's Macha Meril as the lady on the train that gives this film a nasty and depraved edge.  In the beginning, she appears to be a reserved nymphomaniac.  Though when they start to torture and rape the girls she's the one who's controlling the thugs, even though she's only known them for a matter of hours.  She is definitely twisted and coldly calculating.  She stole the show.

Even though you know what's going to happen and you probably know how the film will end, the director Aldo Lado does a fantastic job of weaving a subtle and disturbing story into a watchable film with believable characters.  It's nice that he doesn't go the exploitation route, especially in the torture sequences.  The reality of the scenes really strengthens the film.

I cannot say I really enjoyed this film as some of the scenes are disturbing, both visually and psychologically.  It is, however, truly watchable and does emote emotions.  It is a film that I may watch again... though not for some time.




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